Uffizi Gallery

Uffizi Gallery

Today (7/23/13) started off a bit slowly; not because we weren’t ready, though we did sleep in. We are quickly learning that transportation in Florence is either, as my mom calls it, “walk your fool self to death” or wait forever for a bus to pick you up (A bus, mind you, that may come every 20 minutes (undoubtedly you just missed this one), every hour, or not at all (meaning it stopped running sometime right before you arrived.) At least that’s the case with us. To arrive where we wanted, we drove to Piazele Michelangelo, dropped off our car, took the bus back home to catch another bus to take us to the right part of the city to buy Firenze cards. This process took us 2 1/2 hours. (each leg of the journey should take between 10 and 15 minutes).

So, by the time we got our Firenze Cards, we were already tired. We did decide to go ahead and get the Firenze card, even though they just recently changed the price from 50 Euros to 73 Euros. If you look at bus ticket prices and entrance fees to the major places, it still saves you money if you’re going to be in town for a while.

Victory by Michelangelo

Victory by Michelangelo at Palazzo Vecchio

We started at the Uffizi Gallery. Unfortunately, you can’t take pictures in this area, so I only have a photo of the outside. It is a virtual feast of artwork, from incredible sculptures to famous paintings, including the Birth of Venus by Botticelli, to more modern pieces, virtually any great artist you learned about in Art history is represented here. I will say, I have seen enough nakedness to last a lifetime, so if you come, be prepared to see a lot of nudes. One of the things that most struck me was a throw back to reading The Agony and the Ecstasy (story of Michelangelo.) I remember them talking about how both Michelangelo and Leonardo Di Vinci dissected corpses in order to understand the way the muscle structure worked. Why I was reminded of this grotesque fact is that as I was looking at sculptures and art work, I could definitely tell which artists had dissected and which hadn’t. I know that sounds weird, but there is a way muscles work underneath the skin that you can’t really understand unless you’ve studied anatomy. Thankfully, we have the computer to see diagrams.

Museo Nazionale del Bargello

Museo Nazionale del Bargello

From the Uffizi Gallery, we headed towards the Duomo (Cattedrale di Santa Maria del Flore), but stopped at the Museo Nazionale del Bargello along the way. This area had a gorgeous central courtyard of statues and shields, but also boasted a collection of antique weapons. What most interested me was a statue on the first floor: Bacchus by Michelangelo. Having read about him in junior high, I was amazed to be close enough to his statues to touch them. They weren’t high over head or out of reach, but eye level and in vivid detail. (I do want to mention here that it is one of my pet peeves when people call him Michael Angelo instead of Michelangelo (short i). His first name is not two names, and he does have a last name: Buonarroti. Anyway, that’s my rant…)

Duomo Cattedrale di Santa Maria

Duomo Cattedrale di Santa Maria

Leaving the museum, we continued our trek to the Duomo. While the outside of this cathedral is awe inspiring, the inside is nothing to write home about. After all the incredible artistry we have seen, the inside of the Duomo was, well, drab. It was 90% stone with no embellishment or decoration other than the amazing dome. It does have free admission, but is also a “No Hoochie zone,” so cover up or you’ll have to by a cover there. The Baptistery, on the other hand, had all the artistry I’d expected the Duomo to have. Gorgeous gold inlaid mosaics decorated this smaller structure outside the Duomo. Definitely worth seeing!

Pieta by Michelangelo in Museo Dell'opera del Duomo

Pieta by Michelangelo in Museo Dell’opera del Duomo

Leaving the Baptistery, we made our way to the Museo Dell’opera del Duomo. Tucked away behind a wall of construction, this museum, I had read, contained Michelangelo’s Pieta and Lorenzo Ghiberti’s Doors of Paradise. We saw the doors right as we walked in–the ones on the Baptistery are replicas. When we reached the second floor, we saw the Pieta. It wasn’t the one I was expecting–the classic one with Jesus laying on Mary’s lap. This one had more people in it–and was rough and unfinished. Apparently, Michelangelo found something wrong with the grain of the marble (broke a chunk off of Mary’s arm) and declared it not good enough to finish. I think it’s beautiful.

We ended our journey with dinner by the Palazzo Vecchio, former Medici residence and current town hall. After dinner, we decided to tour the museum here, which is open until midnight, except on Thursdays. The central area in the Palazzo is incredible! Statues line the walls in front of gigantic masterpiece paintings, topped by a golden inlaid and painted ceiling. Unbelievable.

Palazzo Vecchio's central area

Palazzo Vecchio’s central area

Having finished as much sightseeing as we could for one day, we set out for home, only to discover the busses within the city stop running at either 6 or 8 (it was 8:30). So, after another long trek, three busses, and a car ride, we made it home. We still have two and a half days left on our Firenze card, so we’ll see what other mischief we can get into.